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Monday, April 3, 2017

Adding Color To Brass

Adding Color To Brass:
A Workshop On Using a Torch With Alcohol Inks To Create Heart Pendants

By Lynne Suprock

Oh my..... oh my.... oh my!  I am still smitten with the latest Jewelry Affaire Magazine.  Why?  Ah hum..... Well, I am right there on the cover with my simple, yet larger than life heart necklaces. I have pinched my arms about a dozen times here.  I am still super excited.  Yes, still.

I will be teaching this workshop in the flesh on Sunday, August 20th, from 3-5 at an event hosted by The Muse Shop of Frederick, MD.  If you would like to attend, deets are on the store's website.  I would love to see you there for a hands down, fun afternoon. Everyone gets to make two necklaces to take home!

and register for class

Follow me on FB where you can instant message me with any questions.  I also have an Instagram page at lynne_suprock

Stay tuned for the next Segment, with more stories, images, and tips throughout the weeks and months ahead

Wednesday, March 1, 2017

Creating Artful Expressions With Buckles And Resins: Art Project Share 8:

 Creating Artful Expressions With Buckles And Resins:
Art Project Share 8

By Lynne Suprock

Being able to read facial expressions, ones showing pain, joy, confusion and the like, was a keen assessment skill learned as a nurse and used each and every day while caring for people.  The ability to tell if someone was sad, hurt, happy, unsure also served me well in my personal life.  Today, as a teaching artist, I find the face a fascinating subject, which serves to inspire some of my creative mixed media work.  How about you?  Do faces hold a mystique, tell a story, inspire you?  I would love to know your thoughts.

In the Winter 2017 issue of Belle Armoire Jewelry Magazine, page 86, I begin my feature by writing about faces.  I would like to share a bit more about how to develop some of the pieces in that article. It was a great bit of fun.

When working with the mold putty to replicate faces, be patient. The first two times I tried, I blurred the details.  When you depress your face or doll and add the buckle into the putty from behind, make sure you stay steady for about 7 minutes.  Tough I know. Remove everything once mold putty is set. 

I used the fast setting casting resin from Alumilite to pour into the doll/head part of the mold putty, but only part way.  Let set.  Replace the buckle back into the mold putty.  This is really the important part next to staying steady.  Then mix and add more resin until the whole doll/head mold is filled AND let a little bit flow onto and over the buckle itself.  Everything is held together that way.....yay!  

When everything sets, remove the resin and buckle and paint as I explain in the article and embellish.

For some of my submissions, I go an extra step and create pouches or containers for them.  For these necklaces, I did just that out of some burlap.  Nothing fancy, but created more of a theme related to these relic like pieces.  How cool..... let's go a step further and add scrap leather, then stamp.  Ou la-la!!

Thanks for taking a peak and happy creating.

Follow me on FB where you can instant message me with any questions.  I also have an Instagram page at lynne_suprock

Stay tuned for the next Segment, with more stories, images, and tips throughout the weeks and months ahead


Saturday, January 21, 2017

Mini Book Necklace Using Apoxie Sculpt: Art Project Share 7

Mini Book Necklace Using Apoxie Sculpt:  
Art Project Share 7

By Lynne Suprock

I have loved playing with Aves Products for several years.  My most favorite project has been making tiny little wearable books using their Apoxie Sculpt.  In the past, I have used the white version of the Sculpt, then acrylic painted a base and rubbed with a second coat color. 

However, I received the sample pack of neutral colors and decided to start with the black.  I loved how easy it was to add a bit of Rub & Buff to the dried final piece.   When dried, Apoxie Sculpt is rock hard.

Watch this quick 4 minute tutorial on the basic steps of making this book!  

TIPS: It is a good idea to use gloves when mixing and handling Apoxie Sculpt as it is sticky.  Wear gloves as well if applying Rub and Buff with fingers after the clay dries.

I chose to use a Coptic book binding stitch for the signature pages this project and used black waxed linen for doing so.

Apply the jump ring to the back inside part of the book plate when the clay is dried.  Use a small ball of mixed A and B wet Apoxie Sculpt to cover the bottom portion of the jump ring.  The ring will stay placed when the clay dries.

Follow me on FB where you can instant message me with any questions.  I also have an Instagram page at lynne_suprock

Stay tuned for the next Segment, with more stories, images, and tips throughout the weeks and months ahead

Friday, November 4, 2016

Enamelling Little Book Pendants: Art Project Share 6


Enamelling Little Book Pendants
Art Project Share 6
Inspiration, Images and Tips

By Lynne Suprock

Little books have been created at the studio bench....well, since before I had a studio or bench :-)  When I was a little girl, I had several little, teenie-tiny books for my dolls.  Mattel and Golden Books made a few, and I still have them packed away somewhere.  Certainly they are stored in memory.  

Nowadays, these little book pages are filled with my own stories.  As well, when I teach a little book workshop, the students do the same.  You can carry them in your hand or wear them on a necklace, or read them to your dolls.  

So after making quite a few metal and soldered books and experimenting with Apoxie Clay and bookmaking, I decided to dabble a bit in yet another medium.  

A lot of fun was had when I bought a Paragon kiln from an art sister.  I had learned to fire pieces quickly and felt my world had just been rocked with this new and delightful media.  The ideas were just unending..... how perfect for little books!

So, part of the challenge of book binding becomes how to marry the front and back plates in both a structually sound and an aesthetically pleasing way.  For me, I like to experiment, so along the way, I tried several things.

The easiest for any book binding is the paper back method  This involves PVA glue and lighter weight front and back covers.  I do this in two earlier blogs post where I also show text on the spine of the leather or add ribbons for added strength.  

Another way to bind the enamel books especially, is by using a coptic stitch.  The above image in this post incorporates a type of Coptic stittching with added beads. This allows the wearer to open and close the book without worry of the pages becoming loose, as they sometimes do using the gluing method. 

Lastly, I love incorporating little windows in my pieces.  Sometimes the the little books are shaped like houses themselves, sometimes they incorporate hearts, stars or circle cuts.  It adds interest and is a lot of fun to do!

TIPS:  To help hold together heavier book covers using the PVA gluing method, incorporate a thin fabric or leather to hold the pages to the covers on the inside.

Use a jeweler's saw or a metal shape punch to create openings in the metal before firing the enamel.

Make sure all your holes are aligned and punched before covering the copper with enamel and firing, as well.

Create polka dots or stripes using stencils with your enamel powder.

Always wear a respirator or equivalant mask when applying or cleaning up enamel powder.  See manufactures warnings and instructions.

Follow me on FB where you can instant message me with any questions.  I also have an Instagram page at lynne_suprock

Stay tuned for the next Segment, with more stories, images, and tips throughout the weeks and months ahead

Saturday, October 15, 2016

Art Project Share 5: Princess Whisperer, Mini Tiara Necklaces

Art Project Share 5: Princess Whisperer, Mini Tiara Necklaces

By Lynne Suprock

For anyone who knows me, I have been making mixed media tiaras for years.  Some are for charity, some for workshops, some for friends and some for myself.  Some are with rhinestones, some with Apoxie Clay, some with wire. Many art sisters have shared my interests in these surreal fashion statements.  Recently, I was excited to have an article appear in this summer's Belle Armoire Jewelry Magazine, featuring a step by step tutorial and a few of my mini tiaras as pendants.  

My inspiration for these little lovlies come from childhood.  I used to study the musicals on television for costuming.  Anything to do with glitter and flounce instantly had my attention.  Then, of course, there was the Wizard of Oz, with all the glitz that came with those Ruby Slippers.  Although they were nice,  I focused on that splendid, over the top crown, Glinda, the Good Witch wore! Oh my my!

There are lots of princesses in the movies, cartoons and in real life. In every dress up trunk or halloween store, you will find a tiara or two.  In my studio, you will find several..... along with some tap shoes.

TIPS:  Use a thin beading wire for crocheting the delicate necklaces.  

In addition to a third hand, wear a thick cotton pair of garden gloves when soldering the wires for the little rhinestone tiaras. This helps you to manipulate the hot wires for a short time without getting burned.

Follow me on FB where you can instant message me with any questions.  I also have an Instagram page at lynne_suprock

Stay tuned for the next Segment, with more stories, images, and tips throughout the weeks and months ahead

Friday, October 14, 2016

Art Project Share 4: Soldering Glass, Porcelain Charms, and Oprah......

Art Project Share 4:  Soldering Glass, 
Por­celain Charms, And Oprah...

By Lynne Suprock­­

I first learned how to solder glass back in the 90's, designing beautiful stained glass pieces.  The process was 
a-m-a-z-i-n-g. However, I have always been about the tiny, so it was natural for me to shrink down the designs to charm sized lovelies.  


Along my art journey, I met Carol Novak, and she encouraged me to make charms that were more personal, as that was what she adored. Another opportunity came when my good friend, Cheryl Hayes, wanted a few momentos of some cherished Boxers. 

I made family portraits, art work and general affirmations small enought to wear on bracelets and necklaces.  I began adding the charms to head pieces and matching magical wands, such as the one below. One thing that was crucial.....using no lead solder in the jewelry making for my friend and for others for obvious health reasons.  And so it began......

Soon after the birth of Simply Pretty Stuff, I decided to try my hand at sending a few marketing pieces to celebraties. Oh my! I sent a few pieces to Ellen DeGeneres and to OPRAH.  Why not give that a whirl, right? (BTW, I would not reccommend this as a marketing strategy for anyone.  I don't know WHAT I was thinking!)  

Ellen's charms turned out amazing.  I had photoshoped her onto the cover of a few magazine titles since she had mentioned on a show that she had wished to be on one of them at some point. She did recieve my package, and I got a call from her agent with a small thank you.  I also got asked how I knew her personal address. Guess I was good at research?!  sigh.  No follow up or written correspondence came after the call, so I was a bit dissappointed.  

The piece I made for Oprah, I also made and sent a duplicate to Stedman Graham, her friend at the time.  My box was returned from Oprah's studio unopened, but I recieved a delivery confirmation for the one I sent to Stedman, and it was never returned.  We will never know if he really got the package or if Oprah ever saw the charm necklace.  Such is life and my attempt at impressing the stars!!  Sigh. The duplicate necklace is seen below.

No time for feeling blue over not being part of the Hollywood crowd's couture....... it was on to other things.  Soon after, I was contracted to use the art of Brian Andreas and the StoryPeople to incorporate Brian's art into ornaments and charms. How lucky to work the next few years with his team, creating with his art, his words, and affirmations, making them into pewter charms and soldered ornaments!!  I was over the moon to be able to have this opportunity with these wonderful artisans!! 

Fast forward to today, where I now enjoy creating a variety of mixed media art.  My heart sings when the solder flows and I love to change up the norm and the rules whenever possible. I have enjoyed seeing some of my soldered pieces in the Stampington Publications and continue to teach classes sharing techniques.



SOME TIPS:  Its always a good idea to have adequate ventilation in the room you are working and to wear a solder fume mask and run a carbon filter when you flux and solder, even with lead free solder.
I use a white paste flux that is water soluable to brush onto the copper foil for prepping.  Paste flux stays in place and is easier to clean off the piece when finished.  It is also less toxic as it is a weaker acid. The least expensive I found to work well is Worthington found at Lowe's hardware store.   
The pieces above were done using a soldering iron.  You can also use a torch for other projects.  I have done so in my workshops making little books with solder.
To make the beads, every artist has their own technique.  I like to make sure the solder is on the piece.  Then I clean the piece well with baking soda and water and then rubbing alcohol.  I add a plop of solder where I want a bead.  Then I brush a bit of flux onto the plop of solder just laid.  I quickly touch the plop of solder with the iron and it melts down a bit, leaving a nice bump!

Follow me on FB where you can instant message me with any questions.  I also have an Instagram page at lynne_suprock

Stay tuned for Segment Six with more stories, images, and tips throughout the weeks and months ahead


Thursday, October 13, 2016

Art Project Share 3: Using Apoxie Clay In Bookmaking

Art Project Share 3:  Using Apoxie Clay in Bookmaking

By Lynne Suprock

Creative clay inspiration began a while back... in kindergarten and elementary school art class days. My favorite was the air dry grey colored clay.  With it, I made elephants, hand print plaques, and a few mugs.  (Oh my!)

Since then, there have been so many sculpting products developed for art use.  My current favorite is the Apoxie Clay from Aves.   I’ve used Aves products in my design work with students, making tiaras and altering glass bottles.

As well, I took a workshop with Michael DeMeng, while I working at an Art Is You event in 2012, and became exposed to the “creature factor” as another way to use this epoxy clay product ….how fun! 

So, the thing is, this stuff is terrific to use for creating altered book plates and making little book pendants! Being able to stamp into it, mold it, and have it adhere to almost anything, makes it work very well as a creative medium.  These are some of my little books featured in PAGES, a Cloth-Paper-Scissors publication that shows how yummy the stamping actually does look.

In 2013 I created a larger version of Apoxie Clay book, with movable parts, for a workshop that unfortunately was cancelled due to schedule conflicts. These books actually had draw bridges and doors.   

Below there samples of a few little books made with metal and an Apoxie Clay binding.  They are similar to the one seen in this summer's issue of BelleArmoire Magazine in an article  collaboration with art sister, Cat Kerr.

Here are samples of other books using this wonderful product!


For all of the books shown, I used either Aves Apoxie Clay Sculpt or Apoxie Super White.  These clays are a 2 part epoxy type that air dries and hardens, noticeably so in just 2 hours.  

When working with 2 part Epoxy Clay, always wear gloves.  It will absorb into the skin in its malleable state. The clay is very sticky as well, so work on a non stick craft mat.

Choose a surface to adhere the clay such as heavy cardboard, chip board, balsa wood or metal.  Something with a little tooth is good.  However, I used 24 G copper for my book plates, so I sand the metal first.

When using your rubber stamps to make impressions in the clay, make sure to use a mold release spray prior to stamping.  

Be sure to clean your stamps with a toothbrush, warm water and a little dish soap when you are finished. Otherwise, the hardened clay will stick into the crevices of your rubber stamp.

If painting, use a thin coat of white gesso to prime the clay once it is dry first, and paint it with acrylics.  

For depth and dimension, use a little Rub-N-Buff or Guilder’s Paste over the acrylics on parts that are raised from stamping in the clay.  You may seal with a matte or gloss liquid gel media, but it is not necessary.

Follow me on FB where you can instant message me with any questions.  

Stay tuned for Segment Five with more stories, images, and tips throughout the weeks and months ahead. 

Wednesday, October 12, 2016

Art Project Share 2: Soldered Little Books

Art Project Share 2:  Soldered Little Books
Inspiration, images and tips

By Lynne Suprock

When I was a little girl, I wrote stories for, and read them to my dolls.  I used shirt cardboard and crayons and of course there had to be glitter in the making of them.  Today, I still love these little books and have been lucky enough to make a few of my own dolls, so that they may each have a book or two or many.....actually I have book cases for them!

As an artist with tremedous tool spirit, I found that soldered metal became the perfect media for making strong little books, to display or to wear, so I could continue my childhood book making obsession.  I also love the idea of using scrap leather to make the binding and transferring images to make my own titles.  Being able to write my own stories inside is just icing on the cake. A special touch to the front covers are recycled family jewels in the samples below.

Certain people in my life have also been true inspirations, not only as artists, but as friends.  I am blessed and I love to give back when I can.  It has been a rewarding and fulfilling experience to make a meaningful piece for people who mean so much to me.  

Another inspiration comes with product.  I met a fantastic beadmaker when I was teaching workshops and vending at Beadfest, Philadelphia,  Heather Boardman of HMB studio.  I fell in love with both Heather and her beads.  They became part of my book plan for a series incorporating" Kaloops". See beautiful examples of Heather's Kaloops online at:


As well, there is a bit of ego involved when it comes to challenging myself with my work.  I am my own worst critic but that ego drives me to a better place and gives me the persistance I need to create outside the box.  A couple years back, I entered these books for publication in Lark Books.  Yay!  I was very excited to be accepted with book pieces published. I remember taking a day to savor the moment, patting myself on the back, then moving on the next day to work on my next idea!  

SOME TIPS:  When soldering for wear, use a lead free solder and one with a higher silver content.  Silvergleem by Canfield is a good option.  There are others available as jewelry grade, as well.  Always use good ventilation, wear a solder fume mask and run an air filter to prevent absorbing any smoke or fumes into your lungs.

The hinge apparatus in some of my books are metal tubes, cut to size and soldered to both front and back plates.  A hand formed wire then slides in and out of the back tube.  A spiral prevents the wire from sliding completely out.  Experiment with different closures.

When heating the fluxed copper plates, make sure you bring the copper up to temperature before applying the solder so it flows easily across the metal.  For these books, you need only to solder the front part of both plates.

Follow me on FB where you can instant message me with any questions.  
Stay tuned for Segment Four with more stories, images, and tips throughout the weeks and months ahead.